A parivaar with pitaji-mataji, bhaiya-bhabhi and their kid, the next-door daadi, the domestic help, the bunch of friends who go for picnics and play games, the karwa-chauth ritual and Diwali celebrations� Everything is so saccharine-sweet here! Subconsciously, perhaps, BARSAAT also reminds you of Sooraj R. The screenplay is so hackneyed, so conventional that you often wonder whether you're watching one of those old-fashioned, conservative sagas of the 1970s. No cause for worry!īut what indeed is cause for concern is that Suneel treats the subject in an old-fashioned manner. In the Hollywood flick, it was all about two guys and one girl. Suneel borrows the essence from director Andy Tennant's Hollywood flick SWEET HOME ALABAMA, but changes the genders here. Suneel Darshan meanders on the same path in BARSAAT. It's either two guys loving the same girl or two girls getting swayed by one guy. From SANGAM to SILSILA to SAAJAN to KUCH KUCH HOTA HAI to AITRAAZ, romance continues to be the pet subject of most dream merchants. Bollywood has churned out love triangles with amazing regularity, over the decades.
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